Scott Eastwood, the son of famed Hollywood actor and director Clint Eastwood, is set to star in a new Christian film "The Perfect Wave," set for a July 11 release in select theaters.
Director Bruce Macdonald has described the movie as "a 'love story with four pillars:' a mother's love, a young man's love for surfing, first love, and most importantly, God's love."
He added, "This film shares the amazing story of God's plan for Ian's life and reminds viewers that no matter how far you run, you can never outrun God's love."
The plot follows Ian McCormack, who grew up surfing the waters of New Zealand, and journeys looking for adventure to challenging destinations throughout Australia, Southeast Asia and Africa. During one evening swim, he is stung multiple times by the deadly box jellyfish and pronounced dead shortly after his arrival at the hospital. Ian "miraculously awakens" following a divine post-mortem encounter, however, and is transformed with a new understanding of life.
Eastwood is a rising star in Hollywood and has already played roles in critically acclaimed films such as "Gran Torino" and "Flags of Our Fathers," and has been cast as the lead of the film adaptation of Nicholas Sparks best-selling novel The Longest Ride for summer 2015.
"The Perfect Wave" also stars Rachel Hendrix ("October Baby") and Cheryl Ladd ("Charlie's Angels").
Christian and faith-based films have performed well at the box office this year, with Darren Aronofsky's "Noah" taking in over $350 million worldwide, while "God's Not Dead," "Heaven Is for Real" and the Roma Downey and Mark Burnett-produced "Son of God" all staying in the top 10 at the box office for several weeks.
Showing posts with label Noah. Show all posts
Showing posts with label Noah. Show all posts
Friday, June 27, 2014
Thursday, May 15, 2014
What's Behind the Current Resurgence of Faith Based Entertainment?
TheWrap.com has an article on the current resurgence of faith-based programming. It notes that 90 million Americans identify themselves as evangelical Christians — “the country's largest special interest group,” as many in the Christian film industry like to say — have been traditionally underserved; there is only limited appetite for films that are marked by subpar production and story, no matter the message. As a result, the gap in the market remained in place for years, with Christian audiences flocking instead to talk radio and special television networks.
That's where the rush of technology and financing come into play.
Russell Wolfe started Pure Flix in 2005 as both a production and distribution company, putting in place a plan to gradually invest more money into his movies as their quality and fiscal return improved. The P&A costs of theatrical releases was largely prohibitive, so they stuck to DVD and streaming services, but their prolific output quickly made them a profitable industry leader.
“Our market, the family market, we feel that there's few and far between good family movies that are appropriate for all ages, so we want to service that market,” he told TheWrap, “but at the same time, we'll stick to our roots on other films that are faith affirming.”
Not every movie is a huge seller, but the sheer volume available on their site, as well as places like ChristianMovies.com and even at Wal-Mart, make for a tidy profit. And while they may not please mainstream critics — the works of Candace Cameron Bure and Haylie Duff are unlikely to land in the Criterion Collection, though there may be some cult potential around the Danny Trejo film “The Bill Collector” — they hit the right notes with the right people.
The ability to service that market was helped greatly by the rise of digital technology that has made filmmaking accessible and a much more populist endeavor. Production costs went down, so they could spend more on recognizable actors like Teri Polo, as well as bigger names like Greg Kinnear, who starred in “Heaven is for Real,” which cost Sony's Affirm Pictures just $12 million overall and has made $75 million since its release in April.
The other huge religious hit of the spring, “God's Not Dead,” was made for even less — just $2 million — and green lit after extensive research and surveys by Wolfe and his team.
“We surveyed them and asked what does the church need, what kind of message do they need to hear?” Wolfe explained. “We heard several things back, they said marriage and family and money issues and things like that. But one of the things that came back was just to reaffirm with people why they believe what they believe. So much in the media is, when they look at Christians, they go, ‘You're out there, that's just blind faith.’ And it's not blind faith, there's reasons behind it. I think one of the things that made this movie so successful is that it ended up reaffirming with individuals why they believe what they believe, almost vindicating them in their belief in the face of mainstream criticism.”
There is now an overt feeling in the evangelical community that they are being discriminated for being religious — several court battles over government prayer have rallied them to the cause — and “God's Not Dead” played into that sentiment, as well.
read full article
That's where the rush of technology and financing come into play.
Russell Wolfe started Pure Flix in 2005 as both a production and distribution company, putting in place a plan to gradually invest more money into his movies as their quality and fiscal return improved. The P&A costs of theatrical releases was largely prohibitive, so they stuck to DVD and streaming services, but their prolific output quickly made them a profitable industry leader.
“Our market, the family market, we feel that there's few and far between good family movies that are appropriate for all ages, so we want to service that market,” he told TheWrap, “but at the same time, we'll stick to our roots on other films that are faith affirming.”
Not every movie is a huge seller, but the sheer volume available on their site, as well as places like ChristianMovies.com and even at Wal-Mart, make for a tidy profit. And while they may not please mainstream critics — the works of Candace Cameron Bure and Haylie Duff are unlikely to land in the Criterion Collection, though there may be some cult potential around the Danny Trejo film “The Bill Collector” — they hit the right notes with the right people.
The ability to service that market was helped greatly by the rise of digital technology that has made filmmaking accessible and a much more populist endeavor. Production costs went down, so they could spend more on recognizable actors like Teri Polo, as well as bigger names like Greg Kinnear, who starred in “Heaven is for Real,” which cost Sony's Affirm Pictures just $12 million overall and has made $75 million since its release in April.
The other huge religious hit of the spring, “God's Not Dead,” was made for even less — just $2 million — and green lit after extensive research and surveys by Wolfe and his team.
“We surveyed them and asked what does the church need, what kind of message do they need to hear?” Wolfe explained. “We heard several things back, they said marriage and family and money issues and things like that. But one of the things that came back was just to reaffirm with people why they believe what they believe. So much in the media is, when they look at Christians, they go, ‘You're out there, that's just blind faith.’ And it's not blind faith, there's reasons behind it. I think one of the things that made this movie so successful is that it ended up reaffirming with individuals why they believe what they believe, almost vindicating them in their belief in the face of mainstream criticism.”
There is now an overt feeling in the evangelical community that they are being discriminated for being religious — several court battles over government prayer have rallied them to the cause — and “God's Not Dead” played into that sentiment, as well.
read full article
Monday, May 5, 2014
Heaven Is For Real #3 at Box Office and Four Faith-Related Movies Sit in Top 20 for the Year
The Amazing Spider-Man 2 was amazing in its opening weekend grossing $92 million.
Meanwhile, Heaven Is for Real, which finished third, beat expectations that had originally predicted the movie might make $40 million, upping its domestic total to nearly $66 million. Starring Greg Kinnear, it has passed Roma Downey and Mark Burnett's film by over $5 million.
Low-budget film God's Not Dead has continued to generate a steady profit following its March 21 release. The movie, which features Kevin Sorbo and Shawn Harper, has finished in the top 10 every weekend with the exception of the last.
For the second weekend in a row, it also finished higher than Darren Aronofsky and Russell Crowe's Noah. Domestically, God's Not Dead has made $55.56 million total.
Five months into 2014, the four faith-related movies sit in the top 20 of top grossing movies of the year with Noah in eighth, Heaven Is for Real in 12th, and Son of God in 16th respectively.
Meanwhile, Heaven Is for Real, which finished third, beat expectations that had originally predicted the movie might make $40 million, upping its domestic total to nearly $66 million. Starring Greg Kinnear, it has passed Roma Downey and Mark Burnett's film by over $5 million.
Low-budget film God's Not Dead has continued to generate a steady profit following its March 21 release. The movie, which features Kevin Sorbo and Shawn Harper, has finished in the top 10 every weekend with the exception of the last.
For the second weekend in a row, it also finished higher than Darren Aronofsky and Russell Crowe's Noah. Domestically, God's Not Dead has made $55.56 million total.
Five months into 2014, the four faith-related movies sit in the top 20 of top grossing movies of the year with Noah in eighth, Heaven Is for Real in 12th, and Son of God in 16th respectively.
Monday, April 28, 2014
God's Not Dead and Heaven Is For Real Quietly Surpass $50 Million at Box Office
After just two weeks, Heaven is For Real has already earned $52 million domestically at the box office while God's Not Dead has earned an equal amount in 6 weeks. Heaven Is For Real was the 3rd most popular film this past week, God's Not Dead was #11 and Noah, approaching $100 million was #14.
Monday, April 21, 2014
'Heaven Is for Real' Crushes Johnny Depp's Latest Bomb 'Transcendence'
Faith-based film Heaven Is for Real soared at the Easter weekend box office, earning a stellar $21.5 million from 2,417 theaters to bury big-budget Transcendence, which opened to a dismal $11.5 million from 3,455 locations.
Transcendence marks the third big-budget bomb in a row for Johnny Depp after The Lone Ranger and Dark Shadows.
Captain America, staying at No. 1 for its third consecutive weekend, grossed $26.6 million from 3,825 locations to cross the $200 million mark domestically and hit $586.6 million worldwide in another major victory for Marvel Studios and Disney.
Fox's animated family film Rio 2 grossed $22.5 million from 3,975 locations in its second weekend for a domestic total of $75.4 million.
Heaven Is for Real, placing No. 3, is the latest Christian film to exceed expectations. Produced by influential pastor T. D. Jakes, director Randall Wallace and Hollywood veteran Joe Roth, Heaven Is for Real stars Greg Kinnear and earned an A CinemaScore. The drama did its biggest business in the country's Bible Belt, but appealed to mainstream audiences as well.
Easter weekend provided further evidence that 2014 is indeed the year of the Bible movies. Heaven Is for Real was one of three such titles populating the top 10 chart. Noah placed No. 9 with $5 million for a domestic cume of $93.2 million, while God's Not Dead came in No. 10 with $4.8 million, pushing its total to $48.2 million.
Heading into the weekend, no one expected the $12 million Heaven Is for Real to beat Transcendence, which cost a hefty $100 million to produce. Transcendence suffered from scathing reviews and a C+ CinemaScore.
Easter weekend saw two other new nationwide offerings -- A Haunted House 2 and Disney documentary Bears. Haunted House 2 placed No. 5 with $9.1 million from 2,310 theaters, half of the $18 million opening secured by the first film. Bears placed No. 11 with a less-than-expected $4.7 million from 1,720 theaters, the lowest opening of any Disneynature title.
Over the weekend, Frozen became the No. 6 title of all time worldwide with $1.129 billion in earnings, passing up The Lord of the Rings: The Return of the King ($1.114 billion) and Transformers: Dark of the Moon ($1.123 billion). It has also passed up Ice Age 4 ($716 million) to become the top-grossing animated film at the international box office with $729.3 million.
Transcendence marks the third big-budget bomb in a row for Johnny Depp after The Lone Ranger and Dark Shadows.
Captain America, staying at No. 1 for its third consecutive weekend, grossed $26.6 million from 3,825 locations to cross the $200 million mark domestically and hit $586.6 million worldwide in another major victory for Marvel Studios and Disney.
Fox's animated family film Rio 2 grossed $22.5 million from 3,975 locations in its second weekend for a domestic total of $75.4 million.
Heaven Is for Real, placing No. 3, is the latest Christian film to exceed expectations. Produced by influential pastor T. D. Jakes, director Randall Wallace and Hollywood veteran Joe Roth, Heaven Is for Real stars Greg Kinnear and earned an A CinemaScore. The drama did its biggest business in the country's Bible Belt, but appealed to mainstream audiences as well.
Easter weekend provided further evidence that 2014 is indeed the year of the Bible movies. Heaven Is for Real was one of three such titles populating the top 10 chart. Noah placed No. 9 with $5 million for a domestic cume of $93.2 million, while God's Not Dead came in No. 10 with $4.8 million, pushing its total to $48.2 million.
Heading into the weekend, no one expected the $12 million Heaven Is for Real to beat Transcendence, which cost a hefty $100 million to produce. Transcendence suffered from scathing reviews and a C+ CinemaScore.
Easter weekend saw two other new nationwide offerings -- A Haunted House 2 and Disney documentary Bears. Haunted House 2 placed No. 5 with $9.1 million from 2,310 theaters, half of the $18 million opening secured by the first film. Bears placed No. 11 with a less-than-expected $4.7 million from 1,720 theaters, the lowest opening of any Disneynature title.
Over the weekend, Frozen became the No. 6 title of all time worldwide with $1.129 billion in earnings, passing up The Lord of the Rings: The Return of the King ($1.114 billion) and Transformers: Dark of the Moon ($1.123 billion). It has also passed up Ice Age 4 ($716 million) to become the top-grossing animated film at the international box office with $729.3 million.
Monday, March 31, 2014
Faith-Based Movies: In Hollywood To Stay?
Deadline has a nice overview of the recent faith-movie trend:
After the strong staying power of this weekend’s God’s Not Dead and the stronger than expected opening of Noah following on the heels of the surprise opening of Son of God earlier this year, is there any doubt anymore Hollywood that if you build it, they will come? That’s three for three … but wait, actually there’s more. Back in 2008, the Kirk Cameron-starring Fireproof took a lot of people by surprise. On a $500,000 budget raised by Sherwood Baptist church, the faith-based picture ended up grossing $33.4M when it was released. They did it again in 2011, when on a $2M budget, Courageous opened to $9.1M and went onto make $34.5M. Before that, in 2004, the Mel Gibson-directed The Passion of the Christ opened to $83.8M domestically and went on to gross $611M worldwide.
“I think that is a smart assumption,” Megan Colligan, president of domestic marketing and distribution for Paramount told Deadline. 
The next heavenly story up will be Heaven Is For Real, based on the 2010 book written by Todd Burpo and Lynn Vincent. The book debuted at No. 3 on the New York Times best-sellers list and then rose to No. 1. Sony purchased rights to the book in 2011 and Randall Wallace (Braveheart) is directing. The movie stars Greg Kinnear (As Good as It Gets). Unaided awareness for the film is pretty low at the moment two weeks out, but with the right marketing campaign, Sony could pull off the fourth faith-based film to open decently.
Affirm Films, which typically gears its features toward evangelical Christians, has the family comedy Moms’ Night Out starring Patricia Heaton, Sean Astin and Trace Adkins opening on May 9, Mother's Day Weekend. Affirm made $43.9 million stateside with the $18 million-budgeted Soul Surfer in April 2011. On October 3, the Nicolas Cage action film Left Behind about a commercial airline pilot steering his plane in the aftermath of the rapture will be released. Then on December 12, Fox releases Exodus, which is more along the lines of the big-budget Noah. The Biblical tale in Exodus is that of Moses as played by Christian Bale who leads the Israelites out of Egypt to a safe haven. Will it be epic? It’s a Ridley Scott movie.
So will there be more of these Biblical/faith-based films, and can they be sustainable past their first opening weekends and, more importantly, churn a profit for the filmmakers and distributors? “It’s a good question and I don’t know the answer to that,” said Fox’s Chris Aronson. “As far as sustainability and profitability, it’s hard to say because of the differences in the budgets. There are plenty of examples of faith-based films that have been smartly marketing and targeted to a faith-based audiences that have been successful. It proves that there is an appetite for it, but I think that credibility is an issue as well.” He notes that filmmakers and distribs must be involved in catering toward faith-based audiences. “You can’t pull the wool over the faith-based audiences eyes because they will see it and reject it. And I think (Son of God producers) Mark Burnett and Roma Downey had ultimate credibility because they went directly to the opinion makers in the faith-based community and showed that they had the goods.”
Usually, the way these pictures perform is that they open strong and then fall off. That was the case for Son of God which dropped about 60% in its second weekend, but despite that, this re-edited film from History's The Bible series footage, has grossed $57.9M as of this weekend.
God’s Not Dead had the third-highest per screen with around $7,714 per screen in its second weekend; third only behind Noah ($12,335) and Budapest Hotel ($9,007). Its per screen average is also above the second weekend of Lionsgate’s franchise in the making Divergent ($6,732). It only fell 1% in its second weekend out. Easter is around the corner. So will it do well through Easter or was this second weekend a fluke? Was it helped by the power of Duck Dynasty (with stars Willie and Korie Robertson) who made an appearance and helped to promote the film?
The lesson to studio heads and marketers is — whether its Noah, God’s Not Dead, Son Of God, Fireproof or Courageous – there is an audience for Biblical films. Perhaps, it takes a thoughtful approach to pull it off. Son of God played well across the country, but Roma and Mark had and took the time to meet with church leaders and listen to them and then incorporate marketing and distribution strategies to open the film to the particular audience.
Tapping into the faith-based audience means speaking directly to these infrequent moviegoers in a way that is credible on a budget that is reasonable. They have proven to be bankable. So, say, a major star anchors one of these — instead of a Kevin Sorbo or Kirk Cameron — and makes a financially-responsible deal for all parties involved, it could prove a new audience for that star and also a nice sum for all profit participants. Also at the same time, these pictures give exhibitors the kind of lower-end budgeted movies that are often more profitable than the Hollywood tentpoles.
These individuals may be infrequent moviegoers for mainstream movies, but they are frequent moviegoers for Biblical and faith-based films. And as Fortune 500 companies have found in developing new products for a new market, there are pitfalls, yes, but if and when you hit it’s a goldmine of loyal customers. And for a star, it could be their biggest openings to date, which was the case for Russell Crowe this weekend in Noah. Combining its marketing to faith-based and to mainstream action audiences, Paramount pulled it off. And Crowe and the studio can thank, in no small part, Emma Watson and her team for her strong social media footprint (and savvy on how to utilize it).
Aronson sums it up nicely: “What this shows is that there is an appetite for these type of movies and that there is a particular segment of the population that is being terribly under-served and if you give them the product they want to see, they will come.”
3 Faith-Related Films in the Top 15 At the Box Office
Paramount's prayers were answered this weekend, as Darren Aronofsky's controversial Biblical epic Noah opened in first place with a mighty $44 million.
Noah's $44 million debut ranks fourth so far this year behind 300: Rise of An Empire ($45 million). It's a significant improvement over star Russell Crowe's Robin Hood—in fact, it's the highest debut ever for Crowe in leading role. Noah has also already earned more than director Aronofsky's first four movies combined.
Months ago, word began circulating that Noah deviated significantly from the Old Testament story upon which it's based. This raised the question of whether or not Christian audiences would show up to see a "Hollywood" version of one of the most well-known stories ever.
One doesn't have to be a regular churchgoer to be aware of and have some interest in the story of Noah, though, and the action and disaster elements of the movie also helped broaden its appeal. The controversy probably didn't hurt, either: controversy creates conversation, which in turn raises awareness.
Noah's audience was split evenly between men and women, and skewed older (74 percent above 25 years of age). IMAX accounted for $6.2 million (14 percent), which suggests that moviegoers were interested in seeing this epic tale on the biggest screen possible.
Noah received a "C" CinemaScore, which is probably a result of Paramount keeping the stranger fantasy elements out of the marketing campaign. This doesn't necessarily mean the movie is going to fall off quickly: The Wolf of Wall Street is a recent example of a controversial movie that bombed with CinemaScore but held well. At this point, it's safe to say that Noah will earn at least $110 million total.
Faith-based movie God's Not Dead despite being in many fewer theaters than other top 10 movies held even with an estimated $9.1 million. Through 10 days, the surprise hit has earned $22 million.
Overseas business has been red hot for Noah and this weekend saw an estimated $33.6M taken in from 22 markets boosting the early cume to $51.1M and the worldwide tally to $95.1M. Russia was the stand-out generating the biggest opening weekend in history in that country for a non-sequel with a stunning $17.2M. More major markets open this coming week including Germany, Brazil, Spain, and the U.K. The worldwide gross will certainly surpass $300M and may even reach beyond $400M with some key European markets opening closer to Easter.
Son of God was at #15 earning another $1,070,000 and is now just shy of $58 million.
Noah's $44 million debut ranks fourth so far this year behind 300: Rise of An Empire ($45 million). It's a significant improvement over star Russell Crowe's Robin Hood—in fact, it's the highest debut ever for Crowe in leading role. Noah has also already earned more than director Aronofsky's first four movies combined.
Months ago, word began circulating that Noah deviated significantly from the Old Testament story upon which it's based. This raised the question of whether or not Christian audiences would show up to see a "Hollywood" version of one of the most well-known stories ever.
One doesn't have to be a regular churchgoer to be aware of and have some interest in the story of Noah, though, and the action and disaster elements of the movie also helped broaden its appeal. The controversy probably didn't hurt, either: controversy creates conversation, which in turn raises awareness.
Noah's audience was split evenly between men and women, and skewed older (74 percent above 25 years of age). IMAX accounted for $6.2 million (14 percent), which suggests that moviegoers were interested in seeing this epic tale on the biggest screen possible.
Noah received a "C" CinemaScore, which is probably a result of Paramount keeping the stranger fantasy elements out of the marketing campaign. This doesn't necessarily mean the movie is going to fall off quickly: The Wolf of Wall Street is a recent example of a controversial movie that bombed with CinemaScore but held well. At this point, it's safe to say that Noah will earn at least $110 million total.
Faith-based movie God's Not Dead despite being in many fewer theaters than other top 10 movies held even with an estimated $9.1 million. Through 10 days, the surprise hit has earned $22 million.
Overseas business has been red hot for Noah and this weekend saw an estimated $33.6M taken in from 22 markets boosting the early cume to $51.1M and the worldwide tally to $95.1M. Russia was the stand-out generating the biggest opening weekend in history in that country for a non-sequel with a stunning $17.2M. More major markets open this coming week including Germany, Brazil, Spain, and the U.K. The worldwide gross will certainly surpass $300M and may even reach beyond $400M with some key European markets opening closer to Easter.
Son of God was at #15 earning another $1,070,000 and is now just shy of $58 million.
Monday, March 24, 2014
Flood of Controversy Around Noah Continues to Rise
It is truly a Hollywood epic of biblical proportions, the original disaster story of the man chosen by God to undertake the greatest rescue in history before an apocalyptic flood engulfs the world.
But even before it opens in America this week, Noah, a $130 million blockbuster with Russell Crowe in the lead role, is already awash in a turbulent sea of controversy.
Noah's director Darren Aronofsky, a self-described atheist who made the Oscar-nominated hit The Black Swan, has described the movie as is "the least biblical biblical film ever made" and called Noah "the first environmentalist". According to one early review, the name "God" is not actually spoken at any stage.
Now, amid a wave of criticism from some Christian groups about its loose interpretation of a sacred script, the Paramount studio has taken the unusual step of issuing an "explanatory message" to accompany marketing material.
It notes that while the film is "inspired by the story of Noah... artistic licence has been taken". And it adds, for anyone unclear about the source material: "The biblical story of Noah can be found in the book of Genesis." It has also highlighted praise for the film by some Christian leaders.
After advance test screenings, there were complaints that the film did not adhere strictly enough to the Old Testament verses and portrays Noah as an environmental crusader to deliver a secular ecological doomsday message.
"The insertion of the extremist environmental agenda is a problem," said Jerry Johnson, president of the National Religious Broadcasters group.
Aronofsky's version of Noah is described as a "dark parable about sin, justice and mercy" in which Noah must decide who is good enough to make it on the boat that will save humanity. But Paramount has now issued its note of "explanation" for viewers.
"While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide," it states.
Crowe has also addressed the criticisms, saying that the film was not intended to be a "Sunday school story" and would challenge viewers' understanding of the Bible.
Brian Godawa, a Hollywood screenwriter and commentator on Christian issues, was one of the first to raise religious alarms after seeing an early version of the script.
In an article titled Darren Aronofsky's Noah: Environmentalist Wacko, he said the director transformed a scriptural story into "environmental paganism" by blaming the Great Flood on man's "disrespect" for the environment.
"Noah is a very short section of the Bible with a lot of gaps, so we definitely had to take some creative expression in it," producer Scott Franklin told Entertainment Weekly. "But I think we stayed very true to the story and didn't really deviate from the Bible, despite the six-armed angels."
In a effort to stymie the criticism, Paramount has just released a new eight-minute promotional video called Noah Featurette running praise from Christian leaders for the film.
"Movies aren't meant to preach. Movie's aren't sermons, and so if they can bring up the topic and start conversations, that's a good movie," said Karen Covell, founder of the Hollywood Prayer Network. "And this one made me ask questions."
Phil Cooke, a Christian media producer and consultant, who has advised the studio on the film, said: "Christians have to stop looking at Hollywood as the enemy, and start reaching out. Missionaries have discovered that you don't change minds by criticism, boycotts or threats. You change minds by developing a relationship and a sense of trust."
Conversations between the studio and the National Religious Broadcasters, whose mission includes advancing biblical truth, won a kinder, gentler reproof. “Because of the quality of the production and acting,” said Johnson, “viewers will enjoy watching main themes from the Noah story depicted in a powerful way on the big screen. However, my intent in reaching out to Paramount with this request was to make sure everyone who sees this impactful film knows this is an imaginative interpretation of Scripture, and not literal.”
Washington Times article
Telegraph article
But even before it opens in America this week, Noah, a $130 million blockbuster with Russell Crowe in the lead role, is already awash in a turbulent sea of controversy.
Noah's director Darren Aronofsky, a self-described atheist who made the Oscar-nominated hit The Black Swan, has described the movie as is "the least biblical biblical film ever made" and called Noah "the first environmentalist". According to one early review, the name "God" is not actually spoken at any stage.
Now, amid a wave of criticism from some Christian groups about its loose interpretation of a sacred script, the Paramount studio has taken the unusual step of issuing an "explanatory message" to accompany marketing material.
It notes that while the film is "inspired by the story of Noah... artistic licence has been taken". And it adds, for anyone unclear about the source material: "The biblical story of Noah can be found in the book of Genesis." It has also highlighted praise for the film by some Christian leaders.
After advance test screenings, there were complaints that the film did not adhere strictly enough to the Old Testament verses and portrays Noah as an environmental crusader to deliver a secular ecological doomsday message.
"The insertion of the extremist environmental agenda is a problem," said Jerry Johnson, president of the National Religious Broadcasters group.
Aronofsky's version of Noah is described as a "dark parable about sin, justice and mercy" in which Noah must decide who is good enough to make it on the boat that will save humanity. But Paramount has now issued its note of "explanation" for viewers.
"While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide," it states.
Crowe has also addressed the criticisms, saying that the film was not intended to be a "Sunday school story" and would challenge viewers' understanding of the Bible.
Brian Godawa, a Hollywood screenwriter and commentator on Christian issues, was one of the first to raise religious alarms after seeing an early version of the script.
In an article titled Darren Aronofsky's Noah: Environmentalist Wacko, he said the director transformed a scriptural story into "environmental paganism" by blaming the Great Flood on man's "disrespect" for the environment.
"Noah is a very short section of the Bible with a lot of gaps, so we definitely had to take some creative expression in it," producer Scott Franklin told Entertainment Weekly. "But I think we stayed very true to the story and didn't really deviate from the Bible, despite the six-armed angels."
In a effort to stymie the criticism, Paramount has just released a new eight-minute promotional video called Noah Featurette running praise from Christian leaders for the film.
"Movies aren't meant to preach. Movie's aren't sermons, and so if they can bring up the topic and start conversations, that's a good movie," said Karen Covell, founder of the Hollywood Prayer Network. "And this one made me ask questions."
Phil Cooke, a Christian media producer and consultant, who has advised the studio on the film, said: "Christians have to stop looking at Hollywood as the enemy, and start reaching out. Missionaries have discovered that you don't change minds by criticism, boycotts or threats. You change minds by developing a relationship and a sense of trust."
Conversations between the studio and the National Religious Broadcasters, whose mission includes advancing biblical truth, won a kinder, gentler reproof. “Because of the quality of the production and acting,” said Johnson, “viewers will enjoy watching main themes from the Noah story depicted in a powerful way on the big screen. However, my intent in reaching out to Paramount with this request was to make sure everyone who sees this impactful film knows this is an imaginative interpretation of Scripture, and not literal.”
Washington Times article
Telegraph article
Saturday, March 8, 2014
Watch the 'Noah' Ark Come to Life in New Behind-the-Scenes Video
The creators of the upcoming "Noah" biblical epic starring Russell Crowe have released a video featuring an inside look at how they brought to life what is undeniably the movie's centerpiece — the massive ark that the Old Testament narrative says was built by Noah and his family to protect them and "all living creatures" from a worldwide flood.
"There was a huge issue of what is this ark gonna look like," says Director and co-writer Darren Aronofsky in the video. "The idea was let's go back to what God tells Noah in the Bible."
Aronofsky adds, "It basically describes a box. It doesn't talk about a bow. It doesn't have to navigate. It wasn't like Noah was trying to take the ship anywhere. It basically has to survive the flood."
The director revealed that the ark used on set was built to the actual scope of what is described by God in the Bible to Noah.
According to production designer Mark Friedberg, it took his team more than a year to develop a blueprint for the ark, and it took them only six months to build the massive structure.
"There was a huge issue of what is this ark gonna look like," says Director and co-writer Darren Aronofsky in the video. "The idea was let's go back to what God tells Noah in the Bible."
Aronofsky adds, "It basically describes a box. It doesn't talk about a bow. It doesn't have to navigate. It wasn't like Noah was trying to take the ship anywhere. It basically has to survive the flood."
The director revealed that the ark used on set was built to the actual scope of what is described by God in the Bible to Noah.
According to production designer Mark Friedberg, it took his team more than a year to develop a blueprint for the ark, and it took them only six months to build the massive structure.
Tuesday, March 4, 2014
Producer Offers Different Perspective on Noah Controversy
There has been much controversy surrounding the upcoming film, Noah. Phil Cooke, producer and media consultant, wades in with a compelling defense and perspective.
Tuesday, February 25, 2014
Top Hollywood Exec Says Christians Must Produce True-to-Life Stories to Engage Entertainment Industry
A top Hollywood studio executive has called on Christians to focus on producing real, well-written, true-to-life stories to really capture the attention of the entertainment industry.
"I absolutely believe that a lot of times, when it comes to faith-based content, we portray sometimes the ideal of what we believe," DeVon Franklin, senior vice president of Production for Columbia Tristar Pictures, said during a panel on Christian engagement with the media, at the NRB International Christian Media Convention on Monday.
"We all have gone through tragedy, we all have gone through trauma, some of us are in pain right now – because life is not where we want it to be. Some of us are depressed, some of us are angry, some of us are frustrated, some of us have lost some loved ones, we all have gone through massive things that have happened to us."
Franklin, who oversaw notable films like "Sparkle," starring Whitney Houston in her last on-screen role, as well as "The Karate Kid" remake, and "The Pursuit of Happyness," and who is now helping with the upcoming film "Heaven is for Real," said Christians need to get beyond the points that divide them.
"If we aren't united, we will continue to see little blips on the radar, but fail to make a significant impact," he stressed.
Although Christians are making strides this year with a lot of content coming out in theaters, including "Son of God" this week, "Noah" in March and "Heaven is for Real" in April, there is still a lot of work to be done to really engage the entertainment industry, he said.
"It's not good enough to say 'I'm a Christian writer.' You have to be a great writer, a great director, a great actor. And I think part of what God has called me to do is try to really help because if we can make great content, [it] will break down barriers," he continued.
The Columbia Tristar VP insisted that if a film fails to represent the true journey of life, which is hard, then that movie will have a limited impact.
"So in faith-based films, we try to present an image of what we want to be, but not the reality of what really is. If a movie does not acknowledge the reality of life, even us as Christians, we won't want to see it."
The NRB panel was moderated by author, filmmaker Phil Cooke, also included Michael Harrison and Russell Moore.
Harrison called for authenticity and transcendence.
"Be authentic, and transcend the petty differences and the petty goals that separate us and create hostility. Be authentic, seek truth ahead of victory," he said.
"I think the business of broadcast industry will be best served if it's on the side of good, if it tries to help people, and talks about solutions to problems as opposed to the problems with other people. If we do that, I think ultimately we will be successful, healthy, and move in a positive direction."
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"I absolutely believe that a lot of times, when it comes to faith-based content, we portray sometimes the ideal of what we believe," DeVon Franklin, senior vice president of Production for Columbia Tristar Pictures, said during a panel on Christian engagement with the media, at the NRB International Christian Media Convention on Monday.
"We all have gone through tragedy, we all have gone through trauma, some of us are in pain right now – because life is not where we want it to be. Some of us are depressed, some of us are angry, some of us are frustrated, some of us have lost some loved ones, we all have gone through massive things that have happened to us."
Franklin, who oversaw notable films like "Sparkle," starring Whitney Houston in her last on-screen role, as well as "The Karate Kid" remake, and "The Pursuit of Happyness," and who is now helping with the upcoming film "Heaven is for Real," said Christians need to get beyond the points that divide them.
"If we aren't united, we will continue to see little blips on the radar, but fail to make a significant impact," he stressed.
Although Christians are making strides this year with a lot of content coming out in theaters, including "Son of God" this week, "Noah" in March and "Heaven is for Real" in April, there is still a lot of work to be done to really engage the entertainment industry, he said.
"It's not good enough to say 'I'm a Christian writer.' You have to be a great writer, a great director, a great actor. And I think part of what God has called me to do is try to really help because if we can make great content, [it] will break down barriers," he continued.
The Columbia Tristar VP insisted that if a film fails to represent the true journey of life, which is hard, then that movie will have a limited impact.
"So in faith-based films, we try to present an image of what we want to be, but not the reality of what really is. If a movie does not acknowledge the reality of life, even us as Christians, we won't want to see it."
The NRB panel was moderated by author, filmmaker Phil Cooke, also included Michael Harrison and Russell Moore.
Harrison called for authenticity and transcendence.
"Be authentic, and transcend the petty differences and the petty goals that separate us and create hostility. Be authentic, seek truth ahead of victory," he said.
"I think the business of broadcast industry will be best served if it's on the side of good, if it tries to help people, and talks about solutions to problems as opposed to the problems with other people. If we do that, I think ultimately we will be successful, healthy, and move in a positive direction."
Read full article
Saturday, February 15, 2014
Tough Sailing for Noah with Christian Audiences?
Noah, starring Russell Crowe, has entered troubled waters. Director Darren Aronofsky, coming off a career-defining success in Black Swan ($330 million global, five Oscar nominations), has sometimes been at odds with Paramount,a studio working to protect a major investment that is intended to appeal to believers of every religion as well as those without any faith.
The trouble began when Paramount, nervous about how audiences would respond to Aronofsky's fantastical world and his deeply conflicted Noah, insisted on conducting test screenings over the director's vehement objections while the film was a work in progress.
Friction grew when a segment of the recruited Christian viewers, among whom the studio had hoped to find Noah's most enthusiastic fans, questioned the film's adherence to the Bible story and reacted negatively to the intensity and darkness of the lead character. Aronofsky's Noah gets drunk, for example, and considers taking drastic measures to eradicate mankind from the planet. Hoping to woo the faith-based crowd, Paramount made and tested as many as half-a-dozen of its own cuts of the movie. "I was upset -- of course," Aronofsky tells The Hollywood Reporter in his first extensive interview about the film's backstory. "No one's ever done that to me."
The director, who grew up Jewish, developed the story with fellow Jew, Ari Handel. The team lent their own imagination to the film, dreaming "up a world that included fallen angels with multiple arms and inventive, computer-rendered versions of animals."
Despite the initial screening reactions, Paramount Vice Chair Rob Moore, who is a "devout Christian," said that the studio anticipates "that the vast majority of the Christian community will embrace [Noah]."
"[The movie contains the] key themes of the Noah story in Genesis - of faith and hope and God's promise to mankind," said Moore.
Part of where Aronofsky's own interpretation came in, Moore says, is because the Genesis account has few details about who Noah was.
"From a storytelling perspective, the main points are that Noah is a man of faith who is picked by God, told to build an ark, builds the ark and survives," said Moore.
Moore defended the director's complex depiction of Noah.
"Most people do not remember or were never taught the fact that after Noah's off the ark, there is a moment in the story where he is drunk," he added.
The Hollywood executive also pointed out that viewers should be aware that Aronofsky's artistic style makes "Noah" a different film than a series, such as the one created by Mark Burnett and Roma Downey in "The Bible."
"They've been very effective in terms of communicating to and being embraced by a Christian audience," Moore told THR. "This movie has a lot more creativity to it. And therefore, if you want to put it on the spectrum, it probably is more accurate to say this movie is inspired by the story of Noah."
Aronofsky said that he has sought to balance the film's divergent audiences.
"[I wanted to create] this fantastical world a la Middle-earth that they wouldn't expect from their grandmother's Bible school," said Aronofsky, who is also known for such films as "The Wrestler," "Requiem for a Dream" and "The Fountain."
But Aronofsky said it was also important that he make a film for an audience "who take this very, very seriously as gospel."
Despite his religious upbringing, a 2006 interview suggests that Aronofsky no longer completely identifies with his faith.
"The Big Bang happened, and all this star matter turned into stars, and stars turned into planets, and planets turned into life. We're all just borrowing this matter and energy for a little bit, while we're here, until it goes back into everything else, and that connects us all," Aronofsky said, after being asked about his beliefs in God.
"The messed up thing is how distracted we are and disconnected from that connection, and the result of it is what we're doing to this planet and to ourselves…What are we doing to ourselves? It's a complete disconnect. To me, that's where the spirituality is. Whatever you want to call that connection -- some people would use that term God. That, to me, is what I think is holy," he added.
The trouble began when Paramount, nervous about how audiences would respond to Aronofsky's fantastical world and his deeply conflicted Noah, insisted on conducting test screenings over the director's vehement objections while the film was a work in progress.
Friction grew when a segment of the recruited Christian viewers, among whom the studio had hoped to find Noah's most enthusiastic fans, questioned the film's adherence to the Bible story and reacted negatively to the intensity and darkness of the lead character. Aronofsky's Noah gets drunk, for example, and considers taking drastic measures to eradicate mankind from the planet. Hoping to woo the faith-based crowd, Paramount made and tested as many as half-a-dozen of its own cuts of the movie. "I was upset -- of course," Aronofsky tells The Hollywood Reporter in his first extensive interview about the film's backstory. "No one's ever done that to me."
The director, who grew up Jewish, developed the story with fellow Jew, Ari Handel. The team lent their own imagination to the film, dreaming "up a world that included fallen angels with multiple arms and inventive, computer-rendered versions of animals."
Despite the initial screening reactions, Paramount Vice Chair Rob Moore, who is a "devout Christian," said that the studio anticipates "that the vast majority of the Christian community will embrace [Noah]."
"[The movie contains the] key themes of the Noah story in Genesis - of faith and hope and God's promise to mankind," said Moore.Part of where Aronofsky's own interpretation came in, Moore says, is because the Genesis account has few details about who Noah was.
"From a storytelling perspective, the main points are that Noah is a man of faith who is picked by God, told to build an ark, builds the ark and survives," said Moore.
Moore defended the director's complex depiction of Noah.
"Most people do not remember or were never taught the fact that after Noah's off the ark, there is a moment in the story where he is drunk," he added.
The Hollywood executive also pointed out that viewers should be aware that Aronofsky's artistic style makes "Noah" a different film than a series, such as the one created by Mark Burnett and Roma Downey in "The Bible."
"They've been very effective in terms of communicating to and being embraced by a Christian audience," Moore told THR. "This movie has a lot more creativity to it. And therefore, if you want to put it on the spectrum, it probably is more accurate to say this movie is inspired by the story of Noah."
Aronofsky said that he has sought to balance the film's divergent audiences.
"[I wanted to create] this fantastical world a la Middle-earth that they wouldn't expect from their grandmother's Bible school," said Aronofsky, who is also known for such films as "The Wrestler," "Requiem for a Dream" and "The Fountain."
But Aronofsky said it was also important that he make a film for an audience "who take this very, very seriously as gospel."
Despite his religious upbringing, a 2006 interview suggests that Aronofsky no longer completely identifies with his faith.
"The Big Bang happened, and all this star matter turned into stars, and stars turned into planets, and planets turned into life. We're all just borrowing this matter and energy for a little bit, while we're here, until it goes back into everything else, and that connects us all," Aronofsky said, after being asked about his beliefs in God.
"The messed up thing is how distracted we are and disconnected from that connection, and the result of it is what we're doing to this planet and to ourselves…What are we doing to ourselves? It's a complete disconnect. To me, that's where the spirituality is. Whatever you want to call that connection -- some people would use that term God. That, to me, is what I think is holy," he added.
Wednesday, July 31, 2013
'Noah' Previewed at Christian Conference by Director Darren Aronofsky
While attending the Echo Conference in Dallas, Texas last week, Director Darren Aronofsky previewed a sneak-peak video of his new biblical epic, "Noah," starring Russell Crowe and Emma Watson, which is set to be released in theaters in March 2014.
Before previewing the film, Aronofsky told the audience of Christian filmmakers and artists that he was first inspired to make a film about the biblical character of Noah in seventh grade, when he won an award for writing a poem about the scriptural hero, which he ultimately read in front of the United Nations.
Aronofsky said his experience with that poem "gave me the courage and spirit to be a writer. So Noah's very much been a patron saint in my life leading me toward my creative endeavors."
"I'm also excited that Hollywood has finally agreed to make the first biblical epic in almost 50 years," the director continued, according to The Hollywood Reporter.
"It's been a long time since Bible movies were on the screen, and there's been a lot of advancements in technology and special effects, and maybe that's the reason why Noah's never been attempted on the big screen before, because of the size and scale of the deluge and all the different animals […] But now, finally, with Hollywood's help, we can actually do this and bring it to life," Aronofsky added.
The film will include Australian actor Russell Crowe playing the role of Noah, who in the Bible's Old Testament obeys God's command to construct an ark, and ultimately to save the remnants of life on earth.
Additionally, Emma Watson will star in the film as Ila, actor Logan Lerman will star as Ham, Jennifer Conelly will star as Naameh, and Anthony Hopkins will star as Methuselah.
Some critics are drawing a comparison between Aronofsky's "Noah," produced by Paramount Pictures, with the 2004 "The Passion of the Christ," a film directed by Mel Gibson. The film received several accolades and grossed $600 million during its theatrical release.
The success of a well-made biblical epic cannot be understated; Mark Burnett's "The Bible" miniseries broke cable television records when it premiered on The History Channel earlier this year, with its premiere episode drawing in 13.1 million viewers.
However, some, including film critic Brian Godawa, have remained skeptical of the upcoming "Noah" film, arguing that it seeks to serve more as an "enviro-disaster" film rather than an accurate retelling of biblical events. Godawa writes in a recent review that the film seeks to communicate an environmentalistic agenda that God is upset with man for his mistreatment of the earth.
Godawa argues that the film gives viewers "an anachronistic doomsday scenario of ancient global warming. How Neolithic man was able to cause such anthropogenic catastrophic climate change without the 'evil' carbon emissions of modern industrial revolution is not explained."
Aronofsky has previously directed such box office hits as "The Wrestler," "The Fighter," and "Black Swan." His most recent work "Noah" is currently being filmed in Iceland and is scheduled for release in theaters on March 28, 2014.
The Echo conference, which took place last week in Dallas, is described as a "church conference for artists, geeks, and storytellers" seeking to explore creativity within the church, according to the conference's website.
Before previewing the film, Aronofsky told the audience of Christian filmmakers and artists that he was first inspired to make a film about the biblical character of Noah in seventh grade, when he won an award for writing a poem about the scriptural hero, which he ultimately read in front of the United Nations.
Aronofsky said his experience with that poem "gave me the courage and spirit to be a writer. So Noah's very much been a patron saint in my life leading me toward my creative endeavors."
"I'm also excited that Hollywood has finally agreed to make the first biblical epic in almost 50 years," the director continued, according to The Hollywood Reporter.
"It's been a long time since Bible movies were on the screen, and there's been a lot of advancements in technology and special effects, and maybe that's the reason why Noah's never been attempted on the big screen before, because of the size and scale of the deluge and all the different animals […] But now, finally, with Hollywood's help, we can actually do this and bring it to life," Aronofsky added.
The film will include Australian actor Russell Crowe playing the role of Noah, who in the Bible's Old Testament obeys God's command to construct an ark, and ultimately to save the remnants of life on earth.
Additionally, Emma Watson will star in the film as Ila, actor Logan Lerman will star as Ham, Jennifer Conelly will star as Naameh, and Anthony Hopkins will star as Methuselah.
Some critics are drawing a comparison between Aronofsky's "Noah," produced by Paramount Pictures, with the 2004 "The Passion of the Christ," a film directed by Mel Gibson. The film received several accolades and grossed $600 million during its theatrical release.
The success of a well-made biblical epic cannot be understated; Mark Burnett's "The Bible" miniseries broke cable television records when it premiered on The History Channel earlier this year, with its premiere episode drawing in 13.1 million viewers.
However, some, including film critic Brian Godawa, have remained skeptical of the upcoming "Noah" film, arguing that it seeks to serve more as an "enviro-disaster" film rather than an accurate retelling of biblical events. Godawa writes in a recent review that the film seeks to communicate an environmentalistic agenda that God is upset with man for his mistreatment of the earth.
Godawa argues that the film gives viewers "an anachronistic doomsday scenario of ancient global warming. How Neolithic man was able to cause such anthropogenic catastrophic climate change without the 'evil' carbon emissions of modern industrial revolution is not explained."
Aronofsky has previously directed such box office hits as "The Wrestler," "The Fighter," and "Black Swan." His most recent work "Noah" is currently being filmed in Iceland and is scheduled for release in theaters on March 28, 2014.
The Echo conference, which took place last week in Dallas, is described as a "church conference for artists, geeks, and storytellers" seeking to explore creativity within the church, according to the conference's website.
Thursday, January 24, 2013
Chariots of Fire! Ben-Hur Remake in the Works
"Ben-Hur" is going to be remade by MGM studios, with sources telling Deadline that the focus of the storyline will feature more heavily on Jesus Christ.
The 1959 movie, based on the Lew Wallace novel Ben-Hur: A Tale of the Christ, won 11 Oscars and is considered one of the most successful Christian movies ever made. The 1880 Lew Wallace novel Ben-Hur: A Tale Of The Christ outsold every book but The Bible until it was eclipsed by Gone With The Wind. The story focuses on the Jewish prince Ben-Hur who is forced to live for many years as a Roman slave, before he rises to power and meets Christ, witnessing a number of miracles along the way. The planned remake will reportedly be more faithful to Wallace's novel and focus more on Jesus' life, while at the same time interjecting Ben-Hur's account.
Deadline reported that MGM has emerged from bankruptcy following the massive success of the 2012 James Bond movie "Skyfall" and the "Lord of the Rings" prequel "The Hobbit," both of which have made around $1 billion worldwide in terms of box office success. This has provided the ability for MGM to buy the "Ben-Hur" script from screenwriter Keith Clarke.
Sean Daniel and Joni Levin have been chosen as the producers for the remake. Levin has been behind a number of big Hollywood projects, including the "Mummy" franchise.
"It's one of the great stories of friendship and betrayal, and faith, that works in the context of a big onscreen action thriller for a global audience," Daniel has said of Wallace's novel.
No release date has yet been set for the project, and producers will only now begin to look at casting choices.
Movie fans are preparing for a number of major biblical movies that will be hitting the big screen in the next few years, with Darren Aronofsky's "Noah" starring Russel Crowe, "Pontius Pilate" starring Brad Pitt, and no less than two movies about Moses, directed by Steven Spielberg and Ridley Scott respectively, all in the works.
Deadline reported that MGM has emerged from bankruptcy following the massive success of the 2012 James Bond movie "Skyfall" and the "Lord of the Rings" prequel "The Hobbit," both of which have made around $1 billion worldwide in terms of box office success. This has provided the ability for MGM to buy the "Ben-Hur" script from screenwriter Keith Clarke.
Sean Daniel and Joni Levin have been chosen as the producers for the remake. Levin has been behind a number of big Hollywood projects, including the "Mummy" franchise.
"It's one of the great stories of friendship and betrayal, and faith, that works in the context of a big onscreen action thriller for a global audience," Daniel has said of Wallace's novel.
No release date has yet been set for the project, and producers will only now begin to look at casting choices.
Movie fans are preparing for a number of major biblical movies that will be hitting the big screen in the next few years, with Darren Aronofsky's "Noah" starring Russel Crowe, "Pontius Pilate" starring Brad Pitt, and no less than two movies about Moses, directed by Steven Spielberg and Ridley Scott respectively, all in the works.
Monday, November 5, 2012
Will Russell Crowe Portray Noah as an Environmentalist Nut?
It's billed as a "Biblical epic" but a Christian screenwriter in Hollywood who has had a chance to read the script for "Noah" says there's a good chance that the movie, which is still in production, will be far from the truth of the Gospel.
"If you were expecting a Biblically faithful retelling of the story of the greatest mariner in history and a tale of redemption and obedience to God you'll be sorely disappointed," Brian Godawa recently wrote in his analysis of an undated script he was able to get his hands on as a movie industry insider.
Godawa told The Christian Post that he is not 100 percent sure that the copy of the script written by Darren Aronofsky and Ari Handel that he read has since been changed to reflect a more accurate portrayal of what's written in the Bible, but chances aren't good that is the case.
In fact, he fears the movie's Noah (played by Russell Crowe) will be depicted more like an "environmentalist wacko."
"Noah paints the primeval world of Genesis 6 as scorched arid desert, dry cracked earth, and a gray gloomy sky that gives no rain – and all this, caused by man's 'disrespect' for the environment," Godawa wrote in his analysis. "In short, an anachronistic doomsday scenario of ancient global warming. How Neolithic man was able to cause such anthropogenic catastrophic climate change without the 'evil' carbon emissions of modern industrial revolution is not explained."
Apparently, Noah and his family also seek to "avoid the crowds and live off the land." He is this "kind of rural shaman, and vegan hippy-like gatherer of herbs, according to Godawa's analysis of the script. "Noah explains that his family 'studies the world,' 'healing it as best we can,' like a kind of environmentalist scientist," he writes.
"They want to tell the story about the Bible that they think everyone wants to see. They are interpreting it through their own worldview. It's not necessarily a malicious thing," he continued. "I don't expect Aronofsky to be true to this biblical message because he probably doesn't really believe it. He's just going to use it to communicate his own [message]. He's already told us that when he said this is all about environmentalism."
In addition to not really embracing Aronofsky's creative license with the Bible in regards to the environment, Godawa notes that there's a problem with his interpretation morally.
"I have to say that the movie script for Noah is deeply anti-Biblical in its moral vision," he stated. "While the Bible commands mankind to 'work and keep' the garden of earth as its stewards, the sin that brought about the judgment of the Flood was NOT violence against the environment as depicted in the script, it was violence against God and his image in man. That's no minor difference."
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