What Low-budget Hit 'God's Not Dead' Says About Christians and Hollywood

It may be “The Year of the Bible” in Hollywood, but American moviegoers are still startling the industry with their robust enthusiasm for faith-filled films targeting the tastes of the faithful.

This weekend, the small-budget “God’s Not Dead” took in more than $8.5 million Friday through Sunday – a surprising fifth-place in this weekend’s box office numbers.

Even more startling, say observers, is the fact that the movie, aimed toward Evangelical Christians, was shown in only 780 theaters – far fewer than those ahead of it, each of which were showing on more than 3,000 screens.

“While this huge opening may be a surprise to the industry, it is not so much to us,” said Mark Borde, co-president of the film’s distributor, said over the weekend. “The in-house tracking, the legitimate one million Facebook fans, the very high trending on Twitter and Fandango, among many other platforms, and the huge positive reaction from the hundreds of screenings over the many past months, gave us hope for a significant opening.”

While not a blockbuster of biblical proportions, the small film’s significant success this weekend comes at a time when Hollywood has been trying to capitalize yet again on the faith-based market, which also made a hit out of “Son of God” earlier this month. The film was condensed from the History Channel’s smash TV hit, “The Bible,” and has taken in nearly $56 million since its release Feb. 28.

But “God’s Not Dead” is a very different kind of film, many observers say. It has a deep resonance in the Evangelical subculture, which often feels mocked and demeaned by the nation’s media and entertainment elites.

“There's a negativity towards Christians in Hollywood,” said Kevin Sorbo, the actor who plays the atheistic philosophy professor. “And a negativity towards people who believe in God.”

“The silent majority is starting to get annoyed with what’s going on,” the Christian actor continued. “I think more people need to start speaking about it instead of just sitting there and taking it.... It’s happening; you’re getting attacked; you need to stand up for yourself and your beliefs.”

Indeed, the film leaps headlong into the culture wars, striking back against famous atheists, referencing the views of Stephen Hawking, Noam Chomsky, and others.

The film also has a number of subplots that reference real-life issues that chafe many Evangelicals. A journalist, described as a radical vegan, conducts ambush interviews with “Duck Dynasty” star Willie Robertson and his wife, who play themselves. It also follows the story of a young Muslim woman, who converts to Christianity and secretly listens to podcasts of the evangelist Franklin Graham, son of Billy Graham. Her enraged father violently kicks her out of the house. There is also a subplot about a local pastor struggling with his faith, the vegan journalist who later discovers she has cancer, and the philosophy professor’s mistress, who becomes a Christian.

“I’m so glad a film like ‘God’s Not Dead' is bringing to the public the very real culture clash going on in American public life, especially in education,” e-mails Mitch Land, professor and dean at the School of Communication & the Arts at Regent University, an Evangelical school in Virginia Beach, Va. “We have a right and obligation to express our faith without fear of discrimination or reprisal.”

But responses to the film are as stark as red and blue.

Scott Foundas, chief film critic at Variety, called it a “ham-fisted Christian campus melodrama,” saying its depiction of the college professor was “rather like the Jews in the wartime Nazi propaganda films.”

And so far, some 2,000 ratings on the site imbd.com reveal a divide as wide as it could possibly be. On Monday morning, about half of the arm-chair critics on the site rate the film a "Citizen Kane"-level 10 out of 10 stars (46.3 percent). A full third, however, give it a rock-bottom, "Ishtar"-level 1 star out of 10 (32.8 percent). There's no shades of gray for those who see this film.

Still, others see it in a far less conflict-laden context.

“The success of 'God’s Not Dead' shows at least three things,” says Paul Levinson, media critic and professor of communications and media studies at Fordham University in New York: “Big budgets are not necessary to make popular movies, there is a significant part of the population that cherishes faith-based movies, and students like narratives about arrogant professors who get their due.”

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Flood of Controversy Around Noah Continues to Rise

It is truly a Hollywood epic of biblical proportions, the original disaster story of the man chosen by God to undertake the greatest rescue in history before an apocalyptic flood engulfs the world.

But even before it opens in America this week, Noah, a $130 million blockbuster with Russell Crowe in the lead role, is already awash in a turbulent sea of controversy.

Noah's director Darren Aronofsky, a self-described atheist who made the Oscar-nominated hit The Black Swan, has described the movie as is "the least biblical biblical film ever made" and called Noah "the first environmentalist". According to one early review, the name "God" is not actually spoken at any stage.

Now, amid a wave of criticism from some Christian groups about its loose interpretation of a sacred script, the Paramount studio has taken the unusual step of issuing an "explanatory message" to accompany marketing material.

It notes that while the film is "inspired by the story of Noah... artistic licence has been taken". And it adds, for anyone unclear about the source material: "The biblical story of Noah can be found in the book of Genesis." It has also highlighted praise for the film by some Christian leaders.

After advance test screenings, there were complaints that the film did not adhere strictly enough to the Old Testament verses and portrays Noah as an environmental crusader to deliver a secular ecological doomsday message.

"The insertion of the extremist environmental agenda is a problem," said Jerry Johnson, president of the National Religious Broadcasters group.

Aronofsky's version of Noah is described as a "dark parable about sin, justice and mercy" in which Noah must decide who is good enough to make it on the boat that will save humanity. But Paramount has now issued its note of "explanation" for viewers.

"While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide," it states.

Crowe has also addressed the criticisms, saying that the film was not intended to be a "Sunday school story" and would challenge viewers' understanding of the Bible.

Brian Godawa, a Hollywood screenwriter and commentator on Christian issues, was one of the first to raise religious alarms after seeing an early version of the script.

In an article titled Darren Aronofsky's Noah: Environmentalist Wacko, he said the director transformed a scriptural story into "environmental paganism" by blaming the Great Flood on man's "disrespect" for the environment.

"Noah is a very short section of the Bible with a lot of gaps, so we definitely had to take some creative expression in it," producer Scott Franklin told Entertainment Weekly. "But I think we stayed very true to the story and didn't really deviate from the Bible, despite the six-armed angels."

In a effort to stymie the criticism, Paramount has just released a new eight-minute promotional video called Noah Featurette running praise from Christian leaders for the film.

"Movies aren't meant to preach. Movie's aren't sermons, and so if they can bring up the topic and start conversations, that's a good movie," said Karen Covell, founder of the Hollywood Prayer Network. "And this one made me ask questions."

Phil Cooke, a Christian media producer and consultant, who has advised the studio on the film, said: "Christians have to stop looking at Hollywood as the enemy, and start reaching out. Missionaries have discovered that you don't change minds by criticism, boycotts or threats. You change minds by developing a relationship and a sense of trust."

Conversations between the studio and the National Religious Broadcasters, whose mission includes advancing biblical truth, won a kinder, gentler reproof. “Because of the quality of the production and acting,” said Johnson, “viewers will enjoy watching main themes from the Noah story depicted in a powerful way on the big screen. However, my intent in reaching out to Paramount with this request was to make sure everyone who sees this impactful film knows this is an imaginative interpretation of Scripture, and not literal.”

Washington Times article

Telegraph article